By Marvin D'Lugo, Kathleen M. Vernon (eds.)
Edited by way of best specialists at the topic, and bringing jointly a stellar solid of members, this unique appraisal of Pedro Almodovar’s designated cinematic artwork examines the subjects, sort, and aesthetics of his oeuvre and locates it within the context of the profound cultural modifications in Spain because the 1970s.
- Brings jointly a stellar solid of participants from around the globe together with famous and proven experts in addition to gifted more youthful students
- Features contributions by way of Spanish movie historians, the place reviews of Almodovar’s paintings were underrepresented within the educational literature
- Deploys new methods to the research of movie authorship via exploring contextual matters reminiscent of Almodovar’s transnational charm and the political dimensions of his works
- Traces the director’s fruitful collaborations within the components of artwork and layout, model and music
Chapter none creation (pages 1–17): Marvin D'Lugo and Kathleen M. Vernon
Chapter 1 Almodovaros Self?Fashioning (pages 19–38): Paul Julian Smith
Chapter 2 artistic Beginnings in Almodovar's Work1 (pages 39–58): Francisco A. Zurian
Chapter three Almodovar and Hitchcock (pages 59–87): Dona Kercher
Chapter four A lifestyles, Imagined and in a different way (pages 88–104): Alberto Mira
Chapter five El Deseo's “Itinerary“ (pages 105–128): Marina Diaz Lopez
Chapter 6 Almodovar and Spanish styles of movie Reception (pages 129–152): Josetxo Cerdan and Miguel Fernandez Labayen
Chapter 7 reminiscence, Politics, and the Post?Transition in Almodovaros Cinema (pages 153–175): Juan Carlos Ibanez
Chapter eight The Ethics of Oblivion (pages 176–199): Adrian Perez Melgosa
Chapter nine Our Rapists, Ourselves (pages 203–224): Leora Lev
Chapter 10 Paternity and Pathogens (pages 225–243): Dean Allbritton
Chapter eleven Domesticating Violence within the motion pictures of Pedro Almodovar (pages 244–261): Noelia Saenz
Chapter 12 los angeles piel que habito (pages 262–278): Francisco A. Zurian
Chapter thirteen Re?envoicements and Reverberations in Almodovaros Macro?Melodrama (pages 279–303): Marsha Kinder
Chapter 14 The Flower of His mystery (pages 304–321): Celestino Deleyto
Chapter 15 Scratching the previous at the floor of the outside (pages 322–344): Julian Daniel Gutierrez?Albilla
Chapter sixteen Almodovar's Stolen photos (pages 345–363): Javier Herrera
Chapter 17 girls at the Verge of a frightened Breakdown (pages 365–386): Isolina Ballesteros
Chapter 18 Almodovar's worldwide Musical market (pages 387–411): Kathleen M. Vernon
Chapter 19 Almodovar and Latin the USA (pages 412–431): Marvin D'Lugo
Chapter 20 Is There a French Almodovar? (pages 432–452): Jean?Claude Seguin
Chapter 21 Almodovar in Asia (pages 453–467): E. ok. Tan
Chapter 22 To the wellbeing and fitness of the writer (pages 469–494): John D. Sanderson
Chapter 23 Making Spain stylish (pages 495–523): Gerard Dapena
Chapter 24 Almodovar, Cyberfandom, and Participatory tradition (pages 524–550): Vicente Rodriguez Ortega
Read or Download A Companion to Pedro Almodovar PDF
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Edited via major experts at the topic, and bringing jointly a stellar solid of individuals, this particular appraisal of Pedro Almodovar’s specified cinematic artwork examines the topics, sort, and aesthetics of his oeuvre and locates it within the context of the profound cultural changes in Spain because the Nineteen Seventies.
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Extra resources for A Companion to Pedro Almodovar
Smith, P. J. (2009b). ” Screen 50: 439–449. 38 Paul Julian Smith Smith, P. J. (2009c). City Girls I: Almodóvar’s Women on Film and Television. In Spanish Screen Fiction: Between Cinema and Television. Liverpool: Liverpool University Press, pp. 17–37. Triana-Toribio, N. (2007). ” Studies in Hispanic Cinemas 4: 151–163. Triana-Toribio, N. (2008). ” Screen 49: 259–276. Triper, J. M. (2007). ” El País: Economía (August 5): 11. Vernon, K. M. (2007). ” In J. Herrera and C. ), Hispanismo y cine. Madrid: Iberoamericana, pp.
P. latrobe. htm (Accessed February 1, 2012). Smith, P. J. (2003). “Resurrecting the Art Movie? ” In Contemporary Spanish Culture: TV, Fashion, Art and Film. Cambridge: Polity, pp. 144–168. Staiger, J. (2003). ” In D. Gerstner and J. ), Authorship and Film. New York: Routledge, pp. 27–57. PART I Bio-Filmography 1 Almodóvar’s Self-Fashioning The Economics and Aesthetics of Deconstructive Autobiography Paul Julian Smith There seems little doubt that Almodóvar is now the most successful Spanish filmmaker of all time, whether that success is measured in terms of financial or symbolic capital.
38 Paul Julian Smith Smith, P. J. (2009c). City Girls I: Almodóvar’s Women on Film and Television. In Spanish Screen Fiction: Between Cinema and Television. Liverpool: Liverpool University Press, pp. 17–37. Triana-Toribio, N. (2007). ” Studies in Hispanic Cinemas 4: 151–163. Triana-Toribio, N. (2008). ” Screen 49: 259–276. Triper, J. M. (2007). ” El País: Economía (August 5): 11. Vernon, K. M. (2007). ” In J. Herrera and C. ), Hispanismo y cine. Madrid: Iberoamericana, pp. 241–256. Vidal, N. (1989).
A Companion to Pedro Almodovar by Marvin D'Lugo, Kathleen M. Vernon (eds.)